Exhibiton Space

We Stood Like Kings (BE), Albert af Ekenstam (SE)

Belgian post-rock band We Stood Like Kings became famous for its very special atmospheric gigs where the music of classic silent movies was rewritten by them. This time they will screen Walter Ruttmann's famous documentary titled Berlin, the Symphony of a City and give a tough atmospheric concert to it. Before their performance an excellent Svedish songwriter-performer, Albert af Ekenstam will perform and present his debute album.

We Stood Like Kings (BE)

Neoclassical post-rockers We Stood Like Kings saw the light of day in 2011. Half a decade and 120 shows all over Europe later, this 4-piece piano-based band hailing from Brussels has become a reference act in live soundtracks to silent cinema. You get the picture: We Stood Like Kings isn’t a band like any other. Since 2012 and with the utmost dedication, they breathe new life into well-chosen masterworks of the seventh art.

Three projects have shaped We Stood Like Kings’ story so far. Together, these form a vibrant trilogy portraying two empires already lost – BERLIN 1927, USSR 1926 – and a third one – USA 1982 – that seems to be running headlong towards its own destruction.

We Stood Like Kings will do anything to challenge the expected and successfully mix modern instrumental rock music with the treasures of yesterday’s cinema. Every release is another opportunity for WSLK to design new ways of blending their musical universe – now refined and textural, then epic and intense – with images of breathtaking beauty.

New perspectives unfold as universes meet.

Signed to the small high-standard German label Kapitän Platte – known for their releases of Ef, Immanu El, The Hirsch Effekt –,

We Stood Like Kings already recorded two full-length albums both on vinyl and CD, with a third opus coming up mid-2017.

Lovers of instrumental rock and silent cinema, beware!

Albert af Ekenstam (S)

"Nine months have passed – have fallen like red autumn leaves to the ground –since I first heard Albert af Ekenstam’s solo material.

During this time Albert has, amongst other things, released two singles on Kning Disk (”Walking” and ”Angel Liz”), acted as a warm up act for The Posies and Bear’s Den, moved from Gothenburg to Stockholm and appeared in prestigious Swedish music magazines such as Sonic and HYMN.

And I, in my turn, have listened and listened again to his music. Over and over I’ve lost myself in his melancholy guitars, grandiose arrangements, heartfelt voice and poignant lyricism. I’ve also studied; discovered that the Estonian indie rock band Ewert and The Two Dragons included Albert’s song “Falling” on their second album ”Good Man Down” (I Love You Records, 2011) ...

What days and nights!

On the 14th of October Albert of Ekenstam’s debut album will meet its expectant audience. “Ashes” is its name and the outstanding label Kning Disk will release it. Singer/guitarist Sumie Nagano (whose self-titled album on Bella Union is a must for all who love unique voices), drummer/ keyboardist/producer Filip Leyman (who, together with Albert, make up the post-rock constellation Tempel) and trumpeter Max Lindahl (known from a number of jazz bands) have all helped Albert bring it to fruition.

What a record it is!

Like Elliot Smith (rest in peace) and Damien Jurado, say, Albert is a very brave and straightforward singer-songwriter. His melodies and lyrics are like uncensored and infinitely beautiful letters – without euphemisms and false chords they let you know what’s on his mind. At the same time they’re universal – if you’ve loved and lost you can relate to them.

They also – also! – start your internal movie projector. With “Ashes” on the stereo and with eyes closed memory fragments, glowing emotions and pure dreams fly through your soul. That Filip’s production (which you’ve heard on Anna von Hausswolff’s two latest albums) is both intimate and grand at the same time makes this personal cinematic experience even more sensational.

Great art. What more can you ask for?

Albert af Ekenstam is here to stay.

I look forward to spending many years in the company of his solo material."

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